Looking for Alibrandi (film) - Wikipedia
Looking for Alibrandi Character List Her relationships with her mother and her grandmother are somewhat strained, but Jacob Coote is rough around the edges- he can be a bit of a troublemaker . Marchetta, literature essays, quiz questions, major themes, characters, and a full summary and analysis. identity transformation happens in both Josephine Alibrandi and John Barton in . connection to my corpus because one character I am going to explain more is . What are the social values and morals that are breached by Alibrandi's in the novel? Michael Andretti is Josie's father, and Christie's neighbor/.
Through her experiences, she gets to know herself and her family better. Furthermore, she learns to cope with these feelings of insecurity and with the prejudices of other people. Place, time and structure The novel mainly takes place in Sydney where Josephine, her mother and grandmother live.
According to Forster In this case, the story time is one school year. The novel consists of different episodes about her school life, friends and family, which show the reader the most interesting parts. That means that there are some periods left out, too. In addition, the plot is chronological, except for a few flashbacks, for example, when the grandmother tells about her past. Furthermore, it is written mainly in the past tense. As a whole, the novel consists of pages and 32 chapters.
The length of the chapters differs. All in all, the novel has an easy style. This is especially important for younger readers, because a clear structure gives them security cf. It has short and simple sentences, which is very motivating for young adults.
The language is easy to understand, because the novel is written in everyday or colloquial language. According to Scherf cf.GTV in "Looking for Alibrandi"
In Looking for Alibrandi the first chapter starts with the following sentence: Reading this sentence, you would think that Josie writes a serious exam and is not good at school. But if you go on reading, you realize that she only does a test in a magazine and she just does not pay attention to the lesson. Consequently, the expectations of the readers are disappointed. For this reason, the novel starts with a so called anti-climax.
Furthermore, the reader gets involved immediately. That means that the reader is not really asked to have his own expectations Scherf The book starts with a topic which interests teenagers: Young readers could recognise themselves in such a situation, they probably already have been in a similar one.
The setting is created by language. The setting of a novel is very important, because the surroundings influence people. As I have shown above, the novel takes place in Sydney. Sydney is a multicultural city and growing up in a multicultural society is the major issue in the novel. The book shows how complex it is to live between different cultures and social classes. Her father is a barrister, he belongs to the upper middle class. Her mother is a secretary and belongs to the middle class.
Josie herself attends a wealthy Catholic school, which actually is for the upper middle class and wealthier children. She only can go there, because she has a scholarship. Josephine and her mother live in Glebe, a suburb outside the city centre of Sydney and near the harbour cf. One is of beautiful tree-lined streets with gorgeous old homes and the other, … has old terraces with views of outhouses and clothes-lines. Another place which turns up quite often is St.
It is in the eastern suburbs. Martin Place is in the middle of the city. At the very beginning Josephine has got a job at Mc Donalds which is also an indication for her social status cf.
Later, she works in the barrister office of her father and belongs somehow to the upper middle class cf. Michael Andretti, her father, comes originally from Adelaide, where he lives in a suburb near the beach. During her holidays they make a trip to Adelaide cf. During his stay in Sydney, he works at the Chambers cf. The setting shows that he has a higher social status. Narrative perspective The question of the relation in which the narrator stands to the story is an important aspect.
According to Forster, the novelist can either describe the characters from outside, as an impartial or partial onlooker; or he can assume omniscience and describe them from within; or he can place himself in the position of one of them and affect to be in the dark as to the motives of the rest; or there are certain intermediate attitudes Forster The novel Looking for Alibrandi is written by a first person narrator. At her mother's work, Josie talks to her about the possibility of dating.
They talk about when she and Michael were seventeen. Josie goes to stay over at Michaels. She's impressed with his lifestyle, but finds a photo of his girlfriend back in Adelaide.
They have a big break up fight with water and flour. Studying, Sera tells Josie that her relationship with Jacob is doomed because they come from different stock. Josie goes to Jacob's and meets his dad. In Jacob's room, things progress towards having sex. Josie decides it isn't the right time. They argue, Josie leaves, and Jacob catches her on the steps, asking why they are such a disaster. Josie sits her HSC, studying hard.
She thinks she sees John Barton at the train station. Michael tries to teach Josie to drive, but reveals that he's heading back to Adelaide. Josie gets upset, abuses him and storms off.
At Bondi beach, Josie talks with her friends. She realises that Francesco couldn't have been her natural grandfather and races off to confront Nonna about it. Nonna concedes the truth, but wants to keep it from Christina, who arrives just in time. Michael is there, and when Jacob arrives, Josie brings him in and he is given a job.
Anna and Sera are also brought in. Josie puts on the music her family likes and asks Nonna for a dance. Setting The setting of a film is always important. Take particular note of where events occur, because it is often not by accident.
Josie's school is introduced in quite a dismissive way. Josie says that she's surrounded by girls who are treated like princesses by their fathers. She does not like the hypocrisy or shallowness of her school.
Martha's it's all about money, prestige and what your father does for a living. Josie's house is a small, modest flat, some distance from the school. This distance represents the social distance between Josie and the rest of the students at St.
There are a number of shots that show Josie looking out the small windows of their flat introducing her mother, and after meeting her father which remind the viewer that Josie feels cramped here, and that she wants to move both up in the world and to a better house. The apartment represents the things that Josie could gain from having a career like Michael's.
She wants to have enough money to live like this and even directly connects Michael's law practice with this apartment. Having the harbour bridge so prominently placed in many of the shots that take place here reminds the audience of travelling and Josie's desire to cross over into this kind of world. Character and characterisation Josie Several of the events that occur during the film help us to see the way that Josie develops and changes over the course of the film: Josie is a reluctant participant in the family and cultural ritual.
She doesn't see herself as belonging there. She talks about her future, and about not really knowing where she fits in to society. At the beginning of the film, Josie says that fathers seem pretty useless anyway, and that she is happy do do without hers.
As Michael's influence grows, Josie learns that half of her family history has been missing, and that Michael and her can have a fruitful relationship, beneficial to both of them. Going out with Jacob: He teaches her that first impressions aren't always right about people, and that a relationship across different ethnic backgrounds can work.
She also learns it's important to preserve your individuality in a relationship. Studying for her future: Josie realises that these exams are an important part of the journey towards the life she wants. She learns that it is important to keep everything in balance, including friendships, relationships, work and school. Confronting her Nonna over Marcus Sandford helps to bring Josie's relationship with her to a new level.
Josie is more understanding of Nonna, and Nonna is more accepting of her grandchild born out of wedlock. How much Josie has grown and learnt over the course of the film is revealed in the final scene. She embraces her family and their traditions, welcomes her friends and boyfriend into the environment and is positive about not knowing exactly what will happen in the future.
Relationships As Josie as the central character in the film, most of the relationships are centred around her. Each one is important and Josie learns a little from each one to become the person she is at the end of the film. Undoubtedly Josie's closest relationship is with these two.
They support and frustrate each other enormously, but by the end of the film, Josie is more appreciative of what each of them does for her. Josie doesn't realise how much she's missed having a father until he shows up. While she's always been happy growing up with her mother, she begins to realise the support and advice of her father might come in handy. Josie's best friends are always there to support her, take her places and discuss ideas with.
Sera comes from a similar Italian family so Josie doesn't feel her family is completely different to everyone she knows, while Anna makes work at Oporto a little more fun. At first John represents where Josie wants to be. After getting to know him, and especially after his suicide, John shows Josie that you can feel alone and misunderstood regardless of your background.
Carly represents all that's bad in the world of the wealthy. She is image obsessed, shallow and vindictive. Josie knows that if she enters John's privileged world, she won't be like Carly. Structure Compare the beginning and ending of the film The film covers a period of twelve months, beginning and ending with the family Tomato Day. There are several key difference between these two scenes that reveal how much Josie has learnt and grown over the course of the film.
What do each of these tell us about Josie? She runs away to the beach with Sera and Anna as soon as they arrive.
She talks about the curse afflicting the Alibrandi women. Footage is coloured to make it look old and out of date.
She asks Nonna for a dance. She invites Jacob, Sera and Anna in to help. She doesn't try to escape to the beach. Her voiceover talks about the good things going for the family, not the bad. I'm Christina and Michael's daughter and I'm Katia's granddaughter. And we're not cursed, we're blessed. She uses this technique to explain what's going on, to tell us how she feels about things, to introduce background information, but also to reproduce the kind of first person narrative the novel has.
Josie's doubts about her family, her culture and her future emerge through this voiceover. Mamma, Nonna, cousin Robert etc. Josie tells us a lot of important background information in this voiceover. She reveals that Francesco kicked Christina out when she was seventeen; that Nonna believes Josie brought the curse on the family, and that only Josie and Christina know that Michael Andretti is Josie's father.
Josie uses this voiceover to convey a number of things to us: A lot of what Josie's learnt about herself over the previous year is conveyed through this final voiceover. She admits to not knowing everything, but she does know and appreciate more where she belongs. They are also a way of showing how creative, imaginative and romantic Josie is. Carly is such a glamorous figure in her school that Josie believes there is some truth in this fantasy. The way that all of her friends fawn over her seem to Josie to be similar to this kind of movie star treatment.
So hung up is Josie on the idea that she is going to marry into the world of John Barton, that she begins to dream about it. She becomes shadow attorney general like the most powerful lawyer in the country and all of the people she knows gather around her. Josie's fear that this year is going to be disastrous is acted out in the fantasy that she is St. Barbara who was beheaded by her father.
Coming shortly after meeting her father for the first time, clearly Josie is worried about how things will develop. Being rescued by Michael: After Michael talks their way out of being sued by Ron Bishop, the stained glass window in the stairwell at St. Martha's changes to reveal Michael as an angel, rescuing Josie. Light builds behind it, making it almost a biblical miracle.
After John Barton's death, the fantasy sequences get fewer and farther between.
Copy of looking for Alibrandi, Relationships and the forces at play by Mikayla Grimwade on Prezi
There are no more after Josie begins studying for her HSC. This represents something of a loss of innocence, where Josie is no longer as dreamy or as optimistic as she was at the beginning of the film.
Important Events Josie meeting her father for the first time: This has a profound impact on Josie's life. She goes through a range of emotions, but ends up seeing him as a person who has a lot to offer her, and who completes a part of her she never knew anything about. He helps her with her studies and gives her practice working in a law firm.
This helps Josie to see a number of things: This helps Josie to see the motives behind her grandmother's actions. She was trying to protect Christina, rather than punish her, and was hurt when she fell pregnant. By bringing everything out in the open, their feeling can begin to be resolved and they can move forward as three generations of strong, loving Alibrandi women. Close Reading Tomato Day beginning The very first image of the film is an aeroplane flying somewhere. Josie desperately want to be somewhere else and the plane is one symbol of this.
Tintorella di Luna and old Italian twist song plays in the background. This sequence is one continuous shot until Josie arrives.
When she appears on camera, the colour returns to normal and editing begins. It was shot on a handheld camera and coloured to make it look like an old home movie. This gets us thinking about a number of things: What reasons does Josie give for not wanting to be part of Tomato Day?
Which important characters are introduced in this sequence? How does Josie show she doesn't want to be part of this world? What ideas does Josie express about her future? Martha's Josie walks up to her school while the wealthier students are dropped off in expensive cars. She tells us about her and her friends' circumstances, and says that fathers seem pretty useless anyway so why would she want one?
Carly Bishop is introduced and Josie runs through a fantasy scene where she is a famous model who is adored by the students at St. The colours that dominate this sequence are cold whites and blues making the school uninviting, very different to the warm reds and yellows of Josie's backyard.
What contrasts are there between people like Carly Bishop and people like Josie Alibrandi in this scene? How has dialogue been used to introduce Carly's character? Meeting Michael for the first time Nonna's on the phone to one of her spy ring when Josie arrives. She's hot and irritable. When she tries to turn the air conditioning on, she's ushered out of the room because it's only for when guests are around.
Josie and Nonna argue and Nonna tells her to go home. Josie's just about to do this, when Michael's standing at the door. She's caught off guard and runs away, embarrassing Nonna. The soft focus and halo of light around Michael's face when the door is opened makes him seem angelic or like a star in a romantic film.
Marchetta, M. - Looking for Alibrandi: Growing up in "Looking for Alibrandi"
One ironic line of dialogue is when Nonna says 'I was taught to speak English before you mother was born. Why do you think Nonna like to speak Sicilian when Josie's around? Why does Michael say 'Christina's daughter? Jacob drops Josie off Having just had an adrenaline-filled ride home, Jacob walks Josie up to her house. He tells her about her mother and the process he went through grieving for her.
He thought she was wealthy because she goes to 'that snob school'. They pause and Jacob tries to kiss Josie, who initially pulls away, realises she's made a mistake and leans forward, by which time Jacob's pulled away.
Why does Jacob seem interested in whether Josie would be at a school like Cook High if she wasn't on her scholarship? What contrasts are there between Josie and Jacob? Setting John's soul free Lying in bed after the funeral, Josie remembers she has John's soul under her bed. She gets it out and reads it. John wants to be all of the things people want him to be, but knows he can't be them all. All he wants is freedom. The camera mounted on a crane pulls back to allow John the freedom he desires.
Tearing up the letter also tells the audience that she won't follow John towards suicide when things are difficult. She won't hold on to the pain and the grief. What link is there between what John wants and Josie tearing up the letter? Why does John list the different things people want him to be? Breaking Carly's nose After breaking Carly's nose with her History book, Josie tries to handle it on her own, but after Carly criticises her for having no father, she brags about him being a solicitor.
She calls him and has to remind him where she goes to school. Michael arrives and tries to get Josie to tell him what name Carly called her, but she won't say. All she says is that nobody ever told John's friends they couldn't play at his house, bringing one of the underlying issues up.
Michael understands and talks their way out of trouble. What was the previous encounter between Josie and Michael? Why is there a pregnant pause after Michael says the words 'My daughter Why does Michael mention he has a bad temper? Saying no Josie's concerned about what Sera said about her and Jacob's relationship being doomed because they're from different backgrounds.
Jacob can see this instantly and tries to calm her down. She meets his Dad and it is revealed that they have a close relationship. The kiss in Jacob's room and head towards having sex, but Josie decides she's not ready. Jacob gets anxious but Josie knows that just because Jacob and she have had different experiences with love and sex, they don't have to move at his pace.
What might Jacob say in reply to Josie's comment that he lives without culture? What reasons does Jacob give for them being suited? Why do you think things don't always run smoothly? Confronting Nonna Josie confronts Nonna about her hypocrisy.